Thursday, 24 September 2009
Stop Animation Experiment 4
We thought that this was quite effective as it fitted in with the theme of the woodland style that we are starting our music video with.
However, recently we have changed our plans on this, and will not be using this technique to display the name of the song, as it doesn't fit in well with the transition from black background to white (light) background that we need.
We have decided to try to make it look as though we have zoomed in after showing "The Wild Wolves" with the moon in the sky and the stars, and then when we zoom out, it shows the title of the song, also in star form so it looks continuous from the band name. It is however, going to be stars forming the words "Moon Song" but this will be on what looks like a parchment, held by birds, so when the shot zooms out, the sky is now the light, and the parchment and stars is made by the shadow. This creates a smooth transition that we will practice as if it is the final try, and if it goes well we will probably use it unless we can develop on it and make it better.
Tuesday, 22 September 2009
Stop-Animation (Research & Information)
This is my favorite animation technique because of the interesting way it is made, and i am excited to use it on our own music video production.
The most widely known stop animation made, is usually with clay figures (clay-animation) and a famous example of this would be the "Wallace and Gromit" movies or episodes.
Recently Caroline and I attended a film festival at the forum in Norwich, which has a selection of animations, and some BAFTA animations. One of these BAFTA's was "Wallace and Gromit: A Matter of Loaf and Death". The trailer shown below:
These Wallace and Gromit animations have always interested me, and a few years ago in Art classes we made our own clay animations to go with a song of our choice.
The animations take an extremely long time to create, as each second of the short films or the feature length (by Nick Park) takes 24 individual photo frames. The short films are about 20 to 30 minutes long, meaning that overall a maximum of 43200 pictures are shot for each short film made, and each picture has a minimal amount of movement to the previous one in the series, making the end film run smoothly. Reports from the animators have shown that they take about 30 frames a day, making just over a second of footage each day of shooting, as between each photograph they have to carefully change the position of everything in the shot by a tiny amount, including the figures in the foreground, and any background motion happening along with the main characters. The feature film they have made, "The Curse of the Were-Rabbit" took them 5 years to create, showing how much time and effort goes into these animations.
Another type of film shown at the film festival was stop-animation using drawings, which was smoothly shot and i was amazed by it. It included a drawing of a girl (that developed later into 3 or more girls) dancing and moving across the page. I think a camera must have been set up over the page, and the drawing of the girl was shot in one frame, then some of the picture rubbed out and moved for the next frame, as we could see where the picture had been rubbed out, which left a grey smudge that looked like an effective shadow.
These animations that we saw showed us how much hard work we will have to put into our animation, and after recently shooting the introduction to the music video, we have prepared ourselves for how much time is needed to shoot short lengths of footage. However, even though its hard work, its extremely fun and we are enjoying making the animation, and hope that it will all fit together when we edit it, creating a great stop-animation mixed with shadow puppetry.
Revised: Costumes for Actors
Denim/Coloured (maybe patterned) dress that finishes around the knee.
Tight fit jacket/cardigan.
Male 1
Trilby hat.
Male 2
Wolf Tee.
Male 3
Larger-Checkers Shirt.
Male 4
Checkered Shorts.

Individual Responsibilities
1. Cutting out the imagery for shadow puppetry after Caroline draws them.
2. Taking the photos of each part of the action, after each movement by Caroline, i will then take the picture, making sure the camera is in the same place/right angle.
3. Finding suitable actors.
4. Own storyboards, evaluation and commentary on pictures/experiments.
5. Taking pictures of the real life locations to be used.
Caroline Gooch
1. Drawing outlines for the animation shadow puppetry (as she does art and is a good illustrater)
2. Movement (picture by picture - small movements) of the puppets/cut-outs for the stop animation, changing it after each frame.
3. Finding suitable actors.
4. Own storyboards, evaluation and commentary on pictures/experiments.
5. Taking pictures of the experiments for our animation.
(More to come)
Possible Actors
1. Jessica Allen
2. Elizabeth Greengrass
3. Jakob Montagu-Shaw
4. Matt Beaumont (?)
5. Will Wynne (?)
6. Jack Mullane
7. Oliver Kirby (?)
8. Johnny Allen
The ones with (?) are the people we still need to ask to be in the film, but as we have 7 people in mind and only need 6, hopefully we will have enough people.
Shooting Scedule
- Any of Ms Barton's media lessons that we choose to do our animation in
- After school outside of school (real life part)
- Wednesday, Period 4, Week 1
- Thursday Periods 1 & 2, Week 2
We can only do our animation at school as we are using a windowless room off of a media room.
Meeting Schedule
- Thursday, Periods 1 & 2, Week 2
- Most lunchtimes
- After school in media rooms
Also we plan during some media lessons where allowed.